General Training · Section 3
The Comeback of the Vinyl Record
Skip to the questions ↓For several decades, the vinyl record seemed to be heading for the museum. First cassette tapes, then compact discs and finally digital downloads and streaming offered music that was easier to carry, harder to damage and, in the case of streaming, available almost without limit for a monthly fee. By the early 2000s, many record factories around the world had closed, and the few remaining shops that sold vinyl relied mostly on collectors searching for second-hand rarities.
The record had enjoyed a long reign before its decline. For much of the twentieth century, it was the main way in which people bought recorded music, and the weekly charts were based on record sales. Teenagers saved their pocket money for the latest single, and record shops became meeting places where young people gathered on Saturday afternoons to talk about music. For many people of that generation, the record shop was as much a social space as a place to buy anything.
Yet over the past fifteen years, sales of new records have risen steadily, and in Britain they have now reached levels not seen since the early 1990s. The revival has surprised many in the music industry, not least because vinyl is in many ways a less convenient format than the alternatives. Records are heavy and fragile, they must be turned over halfway through an album, and they require equipment that many households no longer own.
One explanation lies in the experience of owning music as a physical object. Many buyers say that streaming has made music feel disposable, and that a record, with its large cover artwork and printed notes, creates a stronger connection with the artist. Listening to a record also requires a degree of attention, since it is difficult to skip quickly between songs. Some fans describe sitting down to play an album from beginning to end as a deliberate break from the constant distractions of the smartphone. Others enjoy browsing in shops, where staff can recommend music they might never have found on their own.
Interestingly, the revival has not been driven mainly by older people returning to the music of their youth. Surveys suggest that a large proportion of buyers are under thirty-five, and some have never owned a compact disc. Several record shop owners also report that a significant number of customers who buy records do not have a record player at all, and treat the record as a kind of souvenir or work of art. Shops have responded by selling turntables, often in bright colours, alongside the records themselves.
Sound quality is another frequently mentioned reason, although this is a matter of fierce debate. Supporters claim that vinyl offers a warmer, more natural sound than digital formats. Many engineers argue that, in technical terms, a well-made digital recording is more accurate, and that what listeners enjoy about vinyl is its slight imperfections, such as the faint crackle between tracks. Others suggest that the pleasure lies less in the sound than in the ritual of handling the record and lowering the needle.
The revival has brought its own problems. With only a small number of factories able to press records, delays of several months are common, and small artists sometimes struggle to get their records made in time for a tour. The process also uses plastic and energy, raising questions about its environmental impact, and some manufacturers are now experimenting with recycled materials. Prices have risen too, and a new album on vinyl can cost two or three times as much as the same album on CD.
Few people expect vinyl to replace streaming, which remains by far the most common way of listening to music. Instead, the two seem to exist side by side, with many listeners streaming music to discover it and then buying records of the albums they love most. For record shops such as Groove Lane Records in the town of Porthaven, this has been welcome news. Its owner says that ten years ago he was considering closing; today, he has opened a second branch. Some artists now release new albums on vinyl in limited editions, which can sell out within hours.
Questions 1–7
Questions 1 and 2 Choose TWO letters, A–E. Write the correct letters in boxes 1 and 2 on your answer sheet.
Which TWO disadvantages of records compared with other formats are mentioned?
- AThey need a machine that many homes do not have.
- BThey cannot be bought second-hand.
- CThey cannot be played in most cars.
- DThey are easily broken.
- ETheir sound becomes worse after a few years.
Questions 3 and 4 Choose TWO letters, A–E. Write the correct letters in boxes 3 and 4 on your answer sheet.
Which TWO statements about people who buy records are made in the article?
- AMost are older people hoping to relive their youth.
- BMost buy a record only after listening to it in a shop.
- CSome do not own anything to play records on.
- DFew of them use streaming services.
- EMany are younger than thirty-five.
Questions 5–7 Choose THREE letters, A–G. Write the correct letters in boxes 5–7 on your answer sheet.
Which THREE problems linked to the revival does the writer mention?
- AMany record shops have been forced to close.
- BMusicians may have to wait a long time for records to be produced.
- CArtists earn less from records than from streaming.
- DMaking records raises concerns about the environment.
- EThe sound of new records is often poor.
- FRecords cost far more than the same music on compact disc.
- GSecond-hand records have become hard to find.
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